The
whole key is education, 'cause if not, in another 200 years, the only
blackfellas that'll be alive are the educated ones. Because the uneducated,
with all their social problems, will die. Capitalism won't stop and wait for
you. 'Hey catch up to us, Jack.' It'll just keep going. And that's the way of
the world.'
The opening quote
introduces some now-familiar concepts:
· Progress (it
won’t stop and wait for you… that's the way of the world)
· Education
· Capitalism
Are juxtaposed with:
· the
uneducated, with all their social problems
Think back to Hobsbawm’s
discussion last week:
“The nineteenth-century
liberal ideology of social change”, with its emphasis on radical innovation,
was characterised by:
· deliberately
not using or adapting the old ways
· systematically
setting itself against tradition,
· expressing a
general hostility to irrationalism, superstition and customary practices
reminiscent of the dark past.
We can see from this:
· The
enlightenment continues to shape the way we view ourselves and our position in
the world (our “social reality” - Gross).
So, starting with this
weeks reading we know that it is not about what is and/or is not “traditional”
or “authentic”, so much as the processes associated with the defining the
authentic as authentic. The article’s principal question is: Who gets to say
what is and is not “authentic”. In this respect it resonates with the readings
on “invented traditions” from last week.
Thus, while the focus is
on Aboriginal identify, these principals are relevant for other cultural groups
as well, including white or Anglo- cultural groups. When going through these
notes, think about what happens if each time the word “Aboriginal” appears, you
replace it with the words “Anglo” or “white”.
Now –focusing on the
question of who gets to say what is and is not “authentic” we also know from
last week- especially from Richard white’s reading, that meanings and/or ideas
about tradition or authenticity circulate or resonate in three different ways
or on three different levels.
1. Meanings,
traditions and/or ideas about authenticity circulate at the level of the
individual.
· Poststructuralist
interest in meaning, emphasising its ambiguity, multiplicity and dependence on
the reader's interpretation over the writer's intention, simply dissolved
'reality', and encouraged a drift to cultural relativism.
· If the idea
of 'Australia' is an invention, an active and creative process rather than
something that has a prior existence and simply needs to be discovered, then it
follows that it will be invented and embroidered in different ways by different
people for different reasons. This could be taken to mean that there is no
single Australian identity but only multiple identities.
· how do
questions of nationality and culture touch on the issues of multiple identities
and the agency of ordinary Australians
2. Meanings
circulate at a local-cultural level:
· The
bicentennial gloss of multiple identities, public commitment to
multiculturalism, [and the idea of] multiple identities.
· the
Bicentennial Authority's commitment to pluralism
3. Meanings
circulate at the national level.
What gets constituted as
“real” or authentic at the national level
· inevitably
touches on questions of power and identity
· there was a
contest for supremacy going on among the different conceptions of Australia,
and that contest was part of the wider struggles for dominance within
Australian society
· the contest
for dominance in the public discourse of nation
So, drawing on White’s
taxonomy, we can say that the Collishaw looks at the various different ways in
which ideas about Aboriginality circulate. She also looks at the way in which
these different circulations are similar to or different form one another.
More specifically:
· To what
extent do “official” determinations of Aboriginal authenticity correlate with
the everyday lives of men women and children living, in this case, in Mount
Druitt?
1.
On the one hand, Collishaw examines the official framing of Aboriginality which
occurs in the context of native title (for example), in the context of
affirmative action in relation to employment and education, in relation to who
can join the Land Council and
participate in administering the millions of dollars' worth of land…
The nation seems willing
to value Indigenous people as the bearers of unique symbols of a
transcendental past. Perhaps these symbols provide a sense of
Australia's ancient mystery to urban people who are surrounded by global
commercial images
“these signs
of the classical traditions that once
dominated the continent and gave meaning to the country”
a unified Indigenous
heritage, evidence for which relies on pre-European cultural forms such as
tribal names, language remnants, cave paintings or artefacts...
a plethora of ancient
cultural symbols and images are actively read into Indigenous identity and people become conscious of being seen and
judged against the use of, and familiarity with, such definitive markers
of traditions.
She calls this:
“fundamentalist identity
politics”
“state-sponsored culture”.
Thomas
describes this in terms of 'Primitivism'. He writes:
'Primitivism', typified by this sort of contrast, is something more specific than an interest in the
primitive: it attributes an exemplary status to simple or archaic ways of life,
and thus frequently shares the progressivist understanding of tribal society as
an original and antecedent form, but revalues its rudimentary character as
something to be upheld. At this level of generality, it is the conformity of
contemporary primitivism with the longer tradition that seems striking.
2.
However Collishaw defines this official framing as problematic.
“The complicated,
contradictory and destabilising relationship with the idea of authenticity, “
The value attached to
these traditions is ambiguous, both for contemporary suburban Aborigines and
for the nation.
There is little 'radical
alterity' among Aborigines in Mt Druitt; much of everyday life appears as
mimicry, a reflection of the white urban cultural world
Thus: The expectation
that suburban Aborigines will actively affirm the popular symbols of Aboriginality
loads their sense of identity with a heavy burden.
A community's varied and
complex ethno-racial heritage tends to be muted. Thus: “an Indigenous person
often finds it difficult to take pride in non-Indigenous elements of their
heritage.” Thomas describes this in terms of “pluralised identities”. He writes
of the way Bran Nue Dae “lyricizes pluralized identities that emerge through
historical dislocations rather than from a stable ethnicity.”
It leads to an
overemphasis on relationships to “traditional cultures” and performances such
as painting designs on buildings, schools sponsoring dance programs, and
smoking ceremonies cleansing places of bad spirits... . As Collishaw relates,
these relationships are often shallow, standing in for “a lifetime of gradual
acquisition through immersion and participation”
3.
Emphasis on the need to look at ideas about “traditional” or “authentic” Aboriginal
identity in terms of the everyday
experiences of individuals as that are
ignored or appear “under water”.
She writes: “we [should]
listen to voices that were hitherto talking under water.
Collishaw suggests that Aboriginal
identity be linked to embeddedness in an
social world. That is, is a
social identity.
Local loyalties
and connections that make social life meaningful.
These aspects of Aboriginality
do not rely on the artificial revival of ancient practices, (although for some
the traditional past does carry powerful significance).
The preponderance and
power of extended networks of kin, which are characteristic of traditional
societies everywhere and are 'still' apparent here, are, as we saw, taken for
granted rather than celebrated. Not only are they not celebrated; a practice
like 'demand sharing' has, as mentioned above, been disparaged in academic and
public writing as a relic that anchors people in the past, handicapping
individual strivings in this competitive world.
The identity of the Mt
Druitt Aboriginal people I have met this year is secure, not so much because of
their knowledge of Indigenous traditions, but because every family trajectory
has been afflicted and inflected by the nation's laws, practices and ideology
in relation to . Of course these past experiences are not valorised as culture.
Everyday ways of
relating... the casual demeanour, sharing, laughter and teasing that can appear
rude, elements of what Norrie refers to when she says, 'I wouldn't know how to
define Aboriginality. I’ve never lived any other way.’ Let alone other
propensities, such as swearing and drinking and other practices that so often
lead to detention and jailing... This organic and genetic identity, affirmed
through extensive kin networks, carries a sense of stigmatised difference.
Thus: Contemporary arguments about whether
Aborigines 'should' be encouraged to 'cling to' traditions are not based on
what is, but on what is imagined. They are
being encouraged to exhibit elements of culture that do not reflect
their current cultural milieu and that “delegitimise
the ordinary ways people identify with their community”.
Why are these “fundamentalist discourse invoked?
But an older view, characteristic
of my own youth, saw liberation from tradition as welcome progress. Tradition
was 'old-fashioned', an altogether undesirable orientation. And this is the
case with many Aboriginal people, young and old. Are they a threatened species
of social life that should be revived ?
Ultimately what is at
stake is “a struggle about the meaning of culture”.
A “conflict about
authenticity and authority”.
This conflict takes
place on multiple levels:
Discomforting challenges
to what I call 'everyday ' come from other Aboriginal people, those suburban dwellers who have no trouble being bourgeois.
Similar challenges to 'everyday
' come from those who have tertiary education and thus are favoured
for specified Indigenous positions in community or service organisations.
This can only be
understood by taking into account the interests involved and the livelihoods,
pride and honour that are at risk
5.
Conclusion
Thus the fundamentalist
assertion about a unified Aboriginal identity, which was so refreshing 30 years
ago, has become frayed and often burdensome, as evident in chronic disputes
about who is and who is not a true blackfella
She describes “ as a “capacious
idea”, in the sense that there is no singular or universal Aboriginal culture:
Rather than having found
the Aboriginal community, I have met an
Aboriginal community, and not one that can enfold al its members. There is
not a single locally interacting group that forms a discrete Aboriginal
community, even for intermittent or occasional events; there are instead
various groupings, often out of touch or out of sorts with one another... While
various groupings all have an intense interest in , each has investments in
different elements of that capacious idea.
Those Aboriginal people like Bamey who reject ' culture' as what needs preserving, may be at the foaming, disorienting edge of a new wave.
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